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Roman Era Emerald Mine in the Egyptian Desert

Roman Era Egyptian Emerald Necklace

Fifteen miles or so from the Egyptian coastline of the sparkling Red Sea stand a series of crumbling structures. Standing upon an area known in antiquity as “Mons Smaragdus”, these ruins in the Egyptian Eastern Desert are all that remains of Sikait, the Roman Empire’s only emerald mine. Archaeological work conducted in 2020 and 2021 by the University of Barcelona suggests that as the Empire’s grip on the area loosened and eventually receded, some of the buildings were occupied or possibly even built by a nomadic tribe, the Blemmyes, which gained influence in the area.

The Blemmyes appear in written records starting from the 7th century B.C. and disappear sometime around the 8th century A.D. they are mentioned in Strabo’s Geographica in the 1st century A.D. as essentially non-bellicose nomadic raiders. Their cultural and military power increased to the point they formed a kingdom on the flank or Roman Egypt requiring repeated intervention of the Imperial army to keep them from causing trouble.

The researchers believe that the Blemmyes took over not just the site but also the mining activities at the site, possibly also making improvements to building some of the structures on the site.

Remarkable among the finds of the researchers are ancient inscriptions including at least one by a members of a Roman Legion. This inscription would be the first evidence that the Roman army was involved in exploitation of Egypt’s emerald mines, not just to defend them but also probably to help construct them. It was not uncommon in the empire for the legions to be used for civilian construction projects. Not only would this kind of work keep the troops in good physical shape between campaigns, it would keep them busy and productive. It was a Roman belief that a busy army was less likely to mutiny. The legions were involved in the construction of town walls, roads, aqueducts and mining related buildings and equipment such as water mills, stamp mills and dewatering machines.

Roman Era Egyptian Emerald Necklace

Roman necklace originating in Egypt made of gold, blue stone and emerald, A.D. 2nd century

Roman beryl intaglio portrait of Julia Domna

Beryl intaglio with portrait of Julia Domna A.D. 200-210.

Julia Domna was wife of Emperor Septimus Severus and mother of Emperor Caracalla. The Egyptian mine at Sikait is the only source of Emerald, a form of Beryl, within the Empire, and thus the likely source of the material for this object if it was not imported.

Roman gold and emerald necklace 1st – 2nd century A.D.

Ruins near Egyptian Emerald Mine

Ruins at Sikait, Egypt

In the mountains along the Red Sea coast of Egypt, across from Sinai, lie the remains of Sikait, location of the only emerald mine in the Roman Empire. This photo shows the ruins of the most impressive building complex at the site, known as Tripartite Building.

By Roland Unger – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=71533171

We may not have any Egyptian emeralds, but do check out our selection of gemstones.

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The Uncertain Future of Afghanistan’s Mineral Wealth

Corundum

Poor Afghanistan. It is the country that never seems to catch a break. Remote, poor, land-locked, and yet highly strategic because of its position as the gateway to India and its position athwart the ancient silk road trade route to China, it has seen armies pass through from Alexander the Great to the Moghuls (think the creators of the Taj Mahal), to the British and Russians, and finally the Soviet and Americans.

Map of Mineral Resources of Afghanistan

Afghanistan Mineral Resources

Photo By This file was contributed to Wikimedia Commons by National Archives at College Park – Cartographic as part of a cooperation project. The donation was facilitated by the Digital Public Library of America, via its partner National Archives and Records Administration.National Archives Identifier: 159081989Source record: http://catalog.archives.gov/id/159081989DPLA identifier: a982bb69e64e77d42e7d7f8e0a1c5f33, Public Domain, https://commons.wikimedia.org/w/index.php?curid=96782925

One ever-constant bright spot for the nation has been the enormous mineral wealth it sits above. A massive upheaval about 40 million years ago between the Indo-European, the African, and Asian plates created the towering mountains upon which the nation sprawls. This also created a wide variety and enormous quantity of mineral wealth, particularly in the north and northeast of the country All told there are over 1,400 mineral fields encompassing barite, chromite, coal, copper, gold, iron ore, lead, natural gas, petroleum, precious and semi-precious stones, salt, sulfur, lithium, talc, and zinc, rare earth minerals, and high-quality emerald, lapis lazuli, red garnet, tourmaline, turquoise and ruby just to name a few examples. This enormous wealth has been well know for over a century from surveys conducted by the British and Russians. During their occupation the Soviets conducted their own survey. Most recently, a United States Geological Survey estimate prepared after the overthrow of the Taliban that there was perhaps a trillion dollars worth of mineral wealth in Afghanistan.

Industrial Minerals

Madan Turquoise Mines

An early turquoise mine in the Madan village of Khorasan

Photo by Major Henri De Bouillane de Lacoste (tr. by J. G. Anderson) – “Around Afghanistan” as digitised by the Internet Archive’s text collection., Public Domain, https://commons.wikimedia.org/w/index.php?curid=3850890

The mineral wealth can be divided into industrially useful and specimens & gemstones. Just in Baghlan Province one finds important deposits of clay, bauxite, gypsum, limestone, and coal. Clay in particular has been used since ancient times. Other industrially useful minerals include chromium, mercury, copper, gold, silver, iron ore, lead, tungsten, zinc, lithium, beryllium, cobalt, marble, sulfur, tin and talc. Perhaps the world’s largest copper lode exists in Aynak.

Doost marble Factory

An Afghan Marble Factory

Photo by USAID Afghanistan – 100525 Hirat Marble Conference 133, Public Domain, https://commons.wikimedia.org/w/index.php?curid=15375462

Green Ceramic Tile

Green Tile with Star Design, 12th–13th century, Earthenware; molded decoration, monochrome glazed, Attributed to Afghanistan

Gem Producing Regions

Afghanistan is particularly noted for it’s rich gemstone wealth. Lapis Lazuli, Kunzite, Morganite, Emerald, Aquamarine, Tourmaline, Beryl, Spinel, Sapphire, Topaz, Fluorite, Garnet, Corundum (Ruby), and Green Serpentine are all present. Indeed, the Black Prince’s Ruby and the “Timur ruby” in the British Crown Jewels (both actually Spinel and not Ruby) are both believed to have originated in or near Afghanistan. Most recently, and perhaps controversially Hiddenite (or “Hiddenite-like”) has been discovered.

There are four main gem-producing regions: the Panjshir Valley for emeralds, the Jegdalek area for rubies and a range of fancy colored and blue sapphires, Badakhshan for lapis lazuli, and Nuristan for a wide variety of semi-precious gems including as tourmaline, kunzite, aquamarine, spodumene and beryl.

The Panjshir emerald deposit may refer to the ‘smaragdus (green stones) from Bactria’ in Pliny’s in his ‘Natural History’, written in the first century AD. The emeralds occur at altitudes of between 3000 and 4000 meters. The clarity of these emeralds rivals that of the world-famous Colombian emeralds. The remote and inaccessible Panjshir valley, is also the home of the Northern Alliance – the main Afghan resistance to both the Soviets and the Taliban in the 1970 – 2000s. The same inaccessible terrain makes extracting the emeralds a challenge.

Beryl

Beryl (Var.: Emerald) Locality: Panjsher (Panjshir) Valley, Hessa-e-Say District, Panjshir (Panjsheer) Province, Afghanistan

Photo by Rob Lavinsky, iRocks.com – CC-BY-SA-3.0, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10135249

Jegdalek Gandamak rubies are mined in Kabul Province from Proterozoic calcite-dolomite marble bed between 500 and 2000 m thick in a regionally metamorphosed marble cut by Oligocene granitic intrusions. This mine was worked to provide marble for the Taj Mahal – but it is uncertain whether rubies were actively mined at that time. Jegdalek rubies range from nearly colorless to deep red and purplish red with strong UV fluorescence. True rubies form about 15 % of production, along with pink sapphires (75 %) and blue sapphire (5 %), and 5 % mixed blue and red-to-pink corundum.
Clean faceting quality rubies from this mine are said to match the very best in the world.

Corundum

Corundum Locality: Jegdalek (Jagdalek; Jagdalak; Jagdalik) Ruby Mine, Sorobi District, Kabol (Kabul) Province, Afghanistan 

Photo by Rob Lavinsky, iRocks.com – CC-BY-SA-3.0, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10448845

Afghanistan is world famous for its lapis lazuli, a rock composed of the feldspathoid minerals lazurite, hauyne, nosean and sodalite, with other minerals including calcite and pyrite and lesser amounts of diopside, amphibole, feldspar, mica and other silicates. Lapis from Badakhshan in the north of the country is still regarded as the world’s premier source in terms of quantity and quality. The name derives from a mixture of Latin and Persian: the Latin ‘lapis’, meaning ‘stone’ and the Persian ‘lazhward’ meaning ‘blue’. Then material is used to make beads, boxes and other decorative articles, often carved into figurines and is popular for men’s jewelry.

Lapis is mined on the right bank of the Kokcha River in Badakhshan in an area known as the ‘Blue Mountain’ in skarn lenses 1–4 m thick in marble. At one time there were as many as seven lapis mines there is only one, the Sary-Sang deposit at an elevation of around 3500 m where, on because of low winter temperatures, mining occurs only between
June and September.

Lapis Lazuli

The highest quality lapis lazuli in the world is from northeastern Afghanistan (northern Kuran Wa Munjan District, southern Badakhshan Province)

Photo by James St. John – Lapis lazuli (lazuritic gneiss) (Sar-e-Sang Deposit, Sakhi Formation, Precambrian, 2.4-2.7 Ga (?); Sar-e-Sang Mining District, Hindu-Kush Mountains, Afghanistan) 1, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=83302689

Lazurite

Lazurite, Pyrite, marble Locality: Sar-e-Sang District, Koksha Valley (Kokscha; Kokcha), Badakhshan (Badakshan; Badahsan) Province, Afghanistan. A well-formed euhedral crystal of lazurite (lapis lazuli) – not to be confused with lazulite

Photo by Rob Lavinsky, iRocks.com – CC-BY-SA-3.0, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10175015

Afghanite

Afghanite on Calcite, Koksha Valley, Badakhshan, Afghanistan, Asia

The fourth major gemstone region is Nuristan on the eastern side of Afghanistan bordering Pakistan, an area dotted with high mountains cut by numerous steep-sided valleys. The region is notable for its pegmatite fields, a late-stage crystallisation from molten rock, hosting a wide variety of minerals and gems commonly of unusual size and quality. Gem-quality tourmalines in a wide range of colors from pink though pale blue, indigo blue (indicolite), green, and emerald green. In addition, rare two-colored stones of green-pink and blue-green are much sought after. The crystals are beautifully formed, elongate with a distinctive ‘rounded triangular’ cross-section.

Elbaite

Elbaite Locality: Paroon Mine, Darra-i-Pech (Pech; Peech; Darra-e-Pech) Pegmatite Field, Nangarhar (Ningarhar) Province, Afghanistan

Photo by Rob Lavinsky, iRocks.com – CC-BY-SA-3.0, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=10448930

History

Some of the world’s oldest mines are believed to be in Afghanistan. Production in antiquity focused on precious stone production as well gold and silver extraction. Lapis lazuli was produced in the region of Badakhshan as early as 8000 B.C. Lapis was traded to the ancient Egyptians, Sumerians, Assyrians, Akkadians, Babylonians to be made into amulets, seals and other objects. The Aynak copper mine has been in use for at least two thousand years based on the coins and tools found on the site. Afghan ruby and spinel is mentioned in writing of many travelers from the Muslim world from the mid-900s onward. Rich iron, metal, gold, copper and silver deposits are indicated by a strong metal working tradition, and the deposits of lapis, marble, alabaster and other materials led to a strong stone carving tradition.

Gold and Turquoise Shoe Buckle

Shoe Buckle in the Shape of a Recumbent Ram, Bactria, 1st century B.C.–1st century A.D. Gold inlaid with turqoise.

Khyber Knife

Khyber Knife, made of steel and iron, Afghanistan, 18th – 19th centuries. Afghanistan has significant iron deposits.

Seated Alabaster Figure

Bronze Age Seated female, ca. late 3rd–early 2nd millennium B.C., Steatite or chlorite, alabaster, Bactria-Margiana

Today’s Challenges

Capitalizing on its sovereign mineral wealth has always been challenging for Afghanistan. Corruption, civil war, occupation, have meant problems extracting, and transport minerals, and great difficulty in the wealth being used to improve the well-being of the population. Mineral extraction, particularly in the high mountain mines remains exploitative and dangerous. These challenges are compounded now by the renewed takeover of the country by the Taliban. Traditionally, whichever party ruled the nation tried to exert control over the mineral wealth, and the Taliban are no exception. There is discussion of the government imposing new taxes on the mineral extractors, transporters, and exporters. Will any of the taxes make their way into the common good? Will those who labor at the bottom the industry benefit? Will the money simply support the Taliban? Will the endemic corruption inhibit or expedite the mineral extraction? All of these questions remain to be answered.

In addition to all these factors, Afghanistan is now the subject of new geo-strategic maneuvering. In the wake of the U.S. withdrawal and the collapse of the Republic of Afghanistan, new players are angling for power and influence to exploit the mineral wealth. Players like Iran, and Russia are making moves to strengthen their hand with the Taliban, and the discovery of vast deposits of rare earth mineral (in reality not terribly rare, but that’s another discussion entirely) and the newly recognized importance of the lithium deposits for use in electric car batteries has led to keen interest and competition by the Chinese in and Afghanistan. How this all plays out remains to be seen, but unfortunately it is most likely that little will change for the common laborer working in the mines of Afghanistan.

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The Black Diamond, an Engima Weighing 555.55 Carats

Black Diamond

A gigantic black diamond, certified by Guiness as the world’s largest cut diamond is for sale through Sotheby’s auctions. Weighing in at a whopping 555.55 carats, the carbonado piece has 55 cuts and is heavier than its rivals the Great Star of Africa and the Golden Jubilee. The typical diamond is an uncovered kimberlite rock that was formed quite deep with the earth. Carbonado diamonds, one of the toughest of natural diamonds, however, are found in alluvial, sedimentary deposits. Lead istotope analyses of carbonados suggest their crystallization about 3 billion years ago, but this poses a paradox as the material carbonado is typically found is much younger than that. This paradox and a lack of mantle minerals often found in non-carbonado diamonds has lead some believe that carbonado has an extraterrestrial origin. In fact Sotheby’s suggest this hypothesis in their auction listing.

Check out Sotheby’s video of the the Enigma above or view their auction listing.

We may not have any black diamonds for sale, but we have plenty of gemstones and lapidary material. Don’t see exactly what you are looking for? Contact us as we make only a small selection of our inventory available online.

Top Photo is the Million Dollar Rarest Natural Black Diamond known as “shaan-e-kolkata” with a weight of 121.32 carats (24.264g) good round-cut presently in India.It’s certified by Golconda Institute of Diamonds, Hyderabad on 25th May 2012, an issued Certification of Authenticity by Mr. Imran Shareef (Certified Diamond Grader GIA New York, USA). Currently owned by Prem Singh from West Bengal,India. Photo by Trishtha – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=35937431

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Simply Brilliant – An Exceptional Collection of Fine Jewelry with Outstanding Stones and Crystals

Cincinnati Art Museum Modern Jewelry Exhibit 1960s-1970s

The Cincinnati Art Museum has a new exhibit running through February 6th titled “Simply Brilliant: Artist-Jewelers of the 1960s and 1970s”. This exhibition of approximately 120 explores the international renaissance in fine jewelry in the 1960s and 1970s and features  the work of independent jewelers such as Andrew Grima, Gilbert Albert, Arthur King, Jean Vendome and Barbara Anton along with work created for Bulgari, Cartier, Boucheron and other major houses drawn from one of the most important private collections in the world, assembled by Cincinnatian Kimberly Klosterman.

Andrew Grima (British, b. Italy, 1921–2007), Brooch, 1969, gold, watermelon tourmaline, diamonds, Courtesy of the Cincinnati Art Museum, Collection of Kimberly Klosterman, Photography by Tony Walsh
Andrew Grima (British, b. Italy, 1921–2007), Brooch, 1969, gold, watermelon tourmaline, diamonds, Courtesy of the Cincinnati Art Museum, Collection of Kimberly Klosterman, Photography by Tony Walsh

The exhibition is accompanied by a full color illustrated catalogue and includes essays by some of the most important scholars in the field. Biographies of each designer/house represented are paired with full color images, extended text for a select number of highlighted pieces and an appendix of maker’s marks.

Jean Vendome (French, 1930–2017), Collier Veracruz (Veracruz Necklace), 1972, white gold, platinum, amethyst, diamonds, Courtesy of the Cincinnati Art Museum, Collection of Kimberly Klosterman, Photography by Tony Walsh

The individual makers represented in the exhibition referred to themselves as artists first, jewelers second, approaching their work as a modern art form. Largely utilizing yellow gold and incorporating both precious and semi-precious gems, and inspired by nature they focused on organic forms, favored abstract shapes and concepts related to space-age trends. Using unconventional materials such as coral, shell, geodes and moldavite bringing unrivaled texture to their jewelry. Theirs was a style that was appreciated by individuals who were looking for something different in an era when different was best.

Chopard (Swiss, est. 1860), Alexandra Watch, circa 1971, gold, diamonds, lapis lazuli, Courtesy of the Cincinnati Art Museum, Collection of Kimberly Klosterman, Photography by Tony Walsh

The exhibition is free and located in the Vance Waddell and Mayerson Galleries (Galleries 124 & 125), and is absolutely outstanding. We recommend you take advantage of the opportunity to see these pieces while you can.

The Cincinnati Art Museum is open 11am – 5 pm Tuesday – Sunday except for 11 am – 8 pm on Thursdays. Click here to for more information about the exhibit and the Cincinnati Art Museum.

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Beautiful Bejeweled Amethyst’s History as an Art Medium

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

The February birthstone is amethyst. A form of non-fluorescing hard stone quartz whose typically purple shading comes from irradiation of iron or transition element impurities, amethyst was once considered one of the cardinal, or most valuable, gemstones. Occasionally exhibiting secondary shades of blue or red, the beautiful stone is highly popular among mineral collectors, crystal healers, art lovers, lapidaries. While not considered as valuable as it once was due to recent discoveries of large deposits of the mineral, amethyst often produces stunning jewelry.

Traditionally most carved gemstones in the west are a form of quartz, the carving techniques adopted for quartz also apply to amethyst. Amethyst deposits have been found on almost every continent and it’s availability was a key factor in it’s popularity as a carving medium of artisans in antiquity. Deposits have been found in Brazil, Uruguay, Austria, Russia, Zambia, and Korea, as well the eastern and southern areas of the United States, including Texas, North Carolina, and the Lake Superior Region.

Amethysts was carved and treasured by cultures such as those of Japan, Iran, Greece, Rome, Egypt, the Anglo-Saxons and others. Different cultures each put their own spin on the importance, meaning and value of the stone. It was highly treasured by Russian Empress Catherine who sent thousands of miners into the Ural mountains seeking the gemstone. In ancient Rome, the purple color of the gem was associated with the purple color reserved for the elite and the emperor. The medieval Catholic church’s bishops prized amethyst’s color. The ancient Egyptians worked the material into amulets for protection against harm. Moses the prophet is said to have described amethyst as representing the spirit of god. The ancient Greeks believed the stone offered protection from drunkenness. The Tibetans created rosaries from the stone and considered it sacred to Buddha. Leonardo Da Vinci wrote that amethyst quickened intelligence and dissipated evil thoughts. The Anglo-Saxons fashioned beads, while was used for intaglio.

In this article we present a visual tour of the different ways amethyst has been used in art, both ancient, antique, and modern.

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

Byzantine Jeweled Bracelet of gold, silver, pearls, amethyst, sapphire, glass, quartz

Byzantine Jeweled Bracelet of gold, silver, pearls, amethyst, sapphire, glass, quartz, 500-700 C.E.

1st Century Greek or Roman Amethyst Oval

1st Century Greek or Roman Amethyst Oval

Amethyst, Copper, Gold and Silver Frankish Disk Brooch, 550-650 C.E.

Frankish Disk Brooch, c. 550-650 B.C.E. with Amethyst Jewel

American Brooch by Theodore B. Starr, 1900, Amethyst, Gold, Garnet, Enamel

Amethyst, Garnet, Gold and Enamel Brooch by Theodore B. Starr, American, 1900

Egyptian Amethyst Scarab, Middle Kingdom, 1981-1950 B.C.E.

Egyptian Amethyst Scarab, Middle Kingdom, ca. 1981–1950 B.C. The scarab beetle was a potent symbol of creation and regeneration among the ancient Egyptians.

Chinese Amethyst Qing Dynasty Seal, Late 19th-early 20th Century

Chinese Qing Dynasty Amethyst , Late 19th – Early 20th Century

Chinese Qing Dynasty Snuff Bottle of White, Green, and Brown Jadeite with Amethyst Quartz Stopper 1736-95

Chinese Qing Dynasty Snuff Bottle of White, Green and Brown Jadeite with Amethyst Stopper, Qianlong Period (1736-1795)

Spanish Clip Earrings, mid-19ths Century, Gold, Metal and Amethyst

Mid-19th Century Avant-Garde Spanish Clip Earrings, Amethyst, Silver, Metal

We may not have antique carvings, but you can check out our lovely collection of amethyst for sale.