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Roman Era Emerald Mine in the Egyptian Desert

Roman Era Egyptian Emerald Necklace

Fifteen miles or so from the Egyptian coastline of the sparkling Red Sea stand a series of crumbling structures. Standing upon an area known in antiquity as “Mons Smaragdus”, these ruins in the Egyptian Eastern Desert are all that remains of Sikait, the Roman Empire’s only emerald mine. Archaeological work conducted in 2020 and 2021 by the University of Barcelona suggests that as the Empire’s grip on the area loosened and eventually receded, some of the buildings were occupied or possibly even built by a nomadic tribe, the Blemmyes, which gained influence in the area.

The Blemmyes appear in written records starting from the 7th century B.C. and disappear sometime around the 8th century A.D. they are mentioned in Strabo’s Geographica in the 1st century A.D. as essentially non-bellicose nomadic raiders. Their cultural and military power increased to the point they formed a kingdom on the flank or Roman Egypt requiring repeated intervention of the Imperial army to keep them from causing trouble.

The researchers believe that the Blemmyes took over not just the site but also the mining activities at the site, possibly also making improvements to building some of the structures on the site.

Remarkable among the finds of the researchers are ancient inscriptions including at least one by a members of a Roman Legion. This inscription would be the first evidence that the Roman army was involved in exploitation of Egypt’s emerald mines, not just to defend them but also probably to help construct them. It was not uncommon in the empire for the legions to be used for civilian construction projects. Not only would this kind of work keep the troops in good physical shape between campaigns, it would keep them busy and productive. It was a Roman belief that a busy army was less likely to mutiny. The legions were involved in the construction of town walls, roads, aqueducts and mining related buildings and equipment such as water mills, stamp mills and dewatering machines.

Roman Era Egyptian Emerald Necklace

Roman necklace originating in Egypt made of gold, blue stone and emerald, A.D. 2nd century

Roman beryl intaglio portrait of Julia Domna

Beryl intaglio with portrait of Julia Domna A.D. 200-210.

Julia Domna was wife of Emperor Septimus Severus and mother of Emperor Caracalla. The Egyptian mine at Sikait is the only source of Emerald, a form of Beryl, within the Empire, and thus the likely source of the material for this object if it was not imported.

Roman gold and emerald necklace 1st – 2nd century A.D.

Ruins near Egyptian Emerald Mine

Ruins at Sikait, Egypt

In the mountains along the Red Sea coast of Egypt, across from Sinai, lie the remains of Sikait, location of the only emerald mine in the Roman Empire. This photo shows the ruins of the most impressive building complex at the site, known as Tripartite Building.

By Roland Unger – Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=71533171

We may not have any Egyptian emeralds, but do check out our selection of gemstones.

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Beautiful Bejeweled Amethyst’s History as an Art Medium

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

The February birthstone is amethyst. A form of non-fluorescing hard stone quartz whose typically purple shading comes from irradiation of iron or transition element impurities, amethyst was once considered one of the cardinal, or most valuable, gemstones. Occasionally exhibiting secondary shades of blue or red, the beautiful stone is highly popular among mineral collectors, crystal healers, art lovers, lapidaries. While not considered as valuable as it once was due to recent discoveries of large deposits of the mineral, amethyst often produces stunning jewelry.

Traditionally most carved gemstones in the west are a form of quartz, the carving techniques adopted for quartz also apply to amethyst. Amethyst deposits have been found on almost every continent and it’s availability was a key factor in it’s popularity as a carving medium of artisans in antiquity. Deposits have been found in Brazil, Uruguay, Austria, Russia, Zambia, and Korea, as well the eastern and southern areas of the United States, including Texas, North Carolina, and the Lake Superior Region.

Amethysts was carved and treasured by cultures such as those of Japan, Iran, Greece, Rome, Egypt, the Anglo-Saxons and others. Different cultures each put their own spin on the importance, meaning and value of the stone. It was highly treasured by Russian Empress Catherine who sent thousands of miners into the Ural mountains seeking the gemstone. In ancient Rome, the purple color of the gem was associated with the purple color reserved for the elite and the emperor. The medieval Catholic church’s bishops prized amethyst’s color. The ancient Egyptians worked the material into amulets for protection against harm. Moses the prophet is said to have described amethyst as representing the spirit of god. The ancient Greeks believed the stone offered protection from drunkenness. The Tibetans created rosaries from the stone and considered it sacred to Buddha. Leonardo Da Vinci wrote that amethyst quickened intelligence and dissipated evil thoughts. The Anglo-Saxons fashioned beads, while was used for intaglio.

In this article we present a visual tour of the different ways amethyst has been used in art, both ancient, antique, and modern.

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

Amethyst intaglio portrait of Julius Caesar, Roman, 50-40 B.C.E.

Byzantine Jeweled Bracelet of gold, silver, pearls, amethyst, sapphire, glass, quartz, 500-700 C.E.

Byzantine Jeweled Bracelet of gold, silver, pearls, amethyst, sapphire, glass, quartz
1st Century Greek or Roman Amethyst Oval

1st Century Greek or Roman Amethyst Oval

Frankish Disk Brooch, c. 550-650 B.C.E. with Amethyst Jewel

Amethyst, Copper, Gold and Silver Frankish Disk Brooch, 550-650 C.E.
American Brooch by Theodore B. Starr, 1900, Amethyst, Gold, Garnet, Enamel

Amethyst, Garnet, Gold and Enamel Brooch by Theodore B. Starr, American, 1900

Egyptian Amethyst Scarab, Middle Kingdom, ca. 1981–1950 B.C. The scarab beetle was a potent symbol of creation and regeneration among the ancient Egyptians.

Egyptian Amethyst Scarab, Middle Kingdom, 1981-1950 B.C.E.
Chinese Amethyst Qing Dynasty Seal, Late 19th-early 20th Century

Chinese Qing Dynasty Amethyst , Late 19th – Early 20th Century

Chinese Qing Dynasty Snuff Bottle of White, Green and Brown Jadeite with Amethyst Stopper, Qianlong Period (1736-1795)

Chinese Qing Dynasty Snuff Bottle of White, Green, and Brown Jadeite with Amethyst Quartz Stopper 1736-95
Spanish Clip Earrings, mid-19ths Century, Gold, Metal and Amethyst

Mid-19th Century Avant-Garde Spanish Clip Earrings, Amethyst, Silver, Metal

We may not have antique carvings, but you can check out our lovely collection of amethyst for sale.